Open
48" x 64" diptych
encaustic on archival print mounted on wood
2011
Far Away and Blue
48" x 60" diptych
encaustic on archival print mounted on wood
2010
Two Mystics
48" x 60" diptych
encaustic on archival print mounted on wood
2011
Am I Blue
36" x 62" triptych
encaustic on archival print mounted on wood
2010
In a Meadow
49" x 74" triptych
encaustic on archival print mounted on wood
2010
Champagne
36" x 80"
encaustic on archival print mounted on wood
2011
Sojourn
48" x 60" diptych
encaustic on archival print mounted on wood
2011
Canopy
48" x 72" diptych
oil on encaustic on archival print mounted on wood
2011
Spring Summer Mystics
36" x 60" triptych
encaustic on archival print mounted on wood
2009
Blue Dogwood Spring
36" x 60" triptych
encaustic on archival print mounted on wood
2011
In Passing I
27.5" x 48"
encaustic on archival print mounted on wood
2011
In Passing II
27.5" x 48"
encaustic on archival print mounted on wood
2011
Right Now
49" x 74" triptych
encaustic on archival print mounted on wood
2011
Exit
48" x 72" diptych
encaustic on archival print mounted on wood
2011
Tom Brydelsky
“My mixed-media encaustic paintings are an investigation into the emotional responses generated by the natural environment. Composition, atmosphere, and the unique settings I encounter all contribute to these works.
Initially, using a series of photographs I have taken, I manipulate a picture digitally, incorporating various textures and colors to re-invent the feeling that a particular environment or object evoked. The resulting image is printed using archival inks and paper, mounted onto a wood panel and becomes the base for an encaustic painting. The translucent quality of encaustic directly applied to the surface augments whatever atmospheric condition the image holds. In addition, it is a media that allows for a broad range of surface textures and, by its very nature, speaks of the fragility of life and memory.”